#I love being included it makes me feel Important >:)

[thisfeelslike-iykyk]

love languages ࿐ ࿔*:･ﾟ

hp boys x reader (harry potter, ron weasley, fred weasley, draco malfoy, cedric diggory, remus lupin, sirius black, james potter, tom riddle) backtrack: inspiration: my post for pjo (here) that has the same concept

harry potter

giving: acts of service

harry always fights to protect those he loves, lest we forget the battle in the department of mysteries to “save” sirius, and even those he could not care less about (ahem draco). he’s self sacrificing, literally walking to his own death in the last book to save everyone else. and on a day to day basis, he goes out of his way to include or be nice to everyone, especially those who don’t really have friends, like luna or neville. he’s less about grand gestures and sappy love, instead preferring to care for his loved ones in practical ways.

receiving: words of affirmation

before harry went to hogwarts and met his friends, he literally received no love. petunia, vernon, and dudley would emotionally and physically abuse him. for that reason, I think harry would really appreciate someone praising him or just simply saying an “I appreciate you” or even “I love you”. also for that reason, I think physical touch might be a receiving love language for harry too.

ron weasley

giving: acts of service

oh gosh here we go, I already know there’s going to be so many “acts of service” guys on here. ron’s one of the most loyal people in the series, he’s always there for his friends and he is super selfless and protective of them. curse the movies for taking away his moment where he stands up on a broken leg to protect harry from a literal serial killer (well not really, but they didn’t know it at the time). he’s not the most, uh, articulate should we say, but he always helps his friends out.

receiving: words of affirmation

growing up in a family as big as his, ron got cast aside a lot. I mean, his literal deepest desire was to be noticed by others and not be overshadowed. and deep down he definitely knew that his family loved him, it was just kind of hard to see sometimes since his parents’ and siblings’ attention was always so divided. (side note, as an only child I could not imagine being in a family of ron’s size; one of my best friends has two sisters and she’s one of the nicest people I know, and I definitely think there’s a correlation) so if someone were to finally notice him and genuinely love him for who he is and tell him that, it would make him so happy. finally, he’s enough as he is. finally, he feels like someone loves him.

fred weasley

giving: quality time

quality time and acts of service are the big ones for fred. he’s willing to put himself into dangerous situations during the war (rip fred weasley, you deserved better) and the battle of seven potters. besides that, he thrives on bringing people together and making connections. he’s super friendly to everyone, a classic jokester, and he shows his love through the time he spends around people, especially george. they were always together. it hurts that they can't be anymore.

receiving: quality time

fred spent like all of his time with george when they were first starting weasleys’ wizard wheezes. granted, that was because starting a business takes a lot of time and effort, but it shows how fred is willing to spend time focusing on his passions. that led me to think he’d find it super important to spend time with his loved ones, and he would want his partner to spend a lot of time with him too. he uses humor as a defense mechanism and a coping mechanism, but deep down he knows that the war is actually dangerous and will have real consequences, such as bill getting mauled or george losing an ear. (or, you know, FRED LOSING HIS LIFE.) so he treasures every little moment with his loved ones.

draco malfoy

giving: acts of service

thinking about this was actually really hard. draco’s such a cold person, and he’s never shown love; all his selfless actions can be chalked up to fear and having no choice. so I had to look at when and why he married astoria. and this meant dipping into the cursed child, which I’ve never read fully but have read enough to be able to say I hate it and I don’t accept it. he truly did love astoria, even when his relationship with his parents suffered because of it. he became a better person because of astoria--miss  girl really said “I can fix him”. he even went so far as to disregard his father’s wishes when he wanted to let the malfoy line die with him. so I think when he really does find someone he loves, draco can be a pretty selfless person.

receiving: words of affirmation

gosh, just how much do people suck up to him? he was treated like a king in his early hogwarts years, and he loved it. I think the deeper reason is that he grew up without a ton of verbal affection from his family, so that’s something he craves from other places--a partner, or peers. the first time he hears an “I love you”, he’d be absolutely shocked and maybe turn cold or shut down. after some time and patience from both of you, he’d slowly begin to accept praise or loving words. if he’s feeling brave, he may even reciprocate them. only when it’s in the middle of the night and he’s pretty sure you’re asleep, though.

cedric diggory

giving: quality time

cedric spent a lot of time with cho when they were together; they would always go on dates and spend a lot of time together in between classes. it shows how much he values spending time with his loved ones. another giving love language of his is definitely quality time, because cedric is 100% a giver. he tipped harry off about the golden egg. he wanted harry to take the cup when they were in the maze. he’s just such a nice guy.

receiving: physical touch

this is for two reasons. one because I want it to be, and two because did you see his face when rita skeeter ruffled his hair in the movie? the guy was not having it, but I bet if the right person did it he’d be all blushy and smiley. also when harry went to the courtyard to tell him about the dragons, he was literally laying in his friend’s lap. and I can’t remember correctly, but wasn’t it said that he and cho would constantly hold hands? yeah. enough said.

remus lupin

giving: acts of service

remus does so much for others. he was one of the best defense against the dark arts professors for a reason. and even if his competition wasn’t so poor, I’m sure he would’ve been just as popular. he’s a natural mentor and caregiver, always there for others and sometimes neglecting his own needs because of it. he engages with his students on a personal level, especially harry, and he is always willing to put himself in danger for others, as seen in the battle of seven potters and the battle of hogwarts.

receiving: words of affirmation

this and quality time. for quality time, he spent a lot of time with his friends in school, and he spent a lot of time with harry when he was the datda professor. this time really helped grow his relationships and helped him feel close to his newfound family. as for words of affirmation, I think it’s obvious; as a kid, he never really had friends, and as a result he secretly yearns for encouragement and emotional support. kind words and whispered promises that everything will be okay. that is how remus lupin feels loved.

sirius black

giving: quality time

sirius spent so much time with his friends when he was young. he had a really rocky relationship with his family, so he gave all of his love to his friends. he and james were practically inseparable, they had such a nice connection. on top of that, after barely any human interaction for twelve whole years in azkaban, he treasures every single moment he has with his loved ones. it’s like every time he and his partner are together, he looks at them and can hardly believe this is real. but it is real. he’s out of azkaban, he’s free, and he has such an amazing partner to spend the rest of his life with. that’s decades! (I can’t with sirius’s death, I--no. he did not die.)

receiving: words of affirmation

sirius spent his childhood and adult life being rejected and ridiculed. that’s got to hurt, especially when he was literally in azkaban for something he didn’t do. he was so deprived of love and general human interaction for twelve years that I imagine he’d initially be kind of awkward or even scared when his partner first shows him love through praise or verbal affection. after a while though, he’d warm up and hopefully show that youthful, happy side of him again. also, he’d probably be big on quality time, since he got none of it at all during his azkaban years.

james potter

giving: words of affirmation

ah, finally someone who’s not acts of service or quality time! at this point I think maybe it’s just me. james is teasing and playful with his words; he’s very vocal about his affection and appreciation for his friends and loved ones. he did, after all, ask lily out pretty much every time he saw her. not at all like remus, who is a love letters and secret admirer kind of guy.

receiving: words of affirmation

james loved hearing praise and support. especially when he was in school. fuel his ego. that’s it.

tom riddle

giving: words of affirmation

I don’t think voldemort could physically feel love. I sometimes wonder if tom riddle and voldemort were different people, and honestly that’s a can of worms I don’t want to get into right now. I believe there’s some sort of theory that he can’t feel love because he was conceived while his dad was under a love potion? I have no idea. the important thing is that we all know how good tom riddle was at manipulating people. flattery gets you nowhere, they say, well clearly not if you’re tom marvolo riddle, because flattery got him everywhere. so he would use words to flatter people and show his admiration or appreciation of them, but was any of it actually real? I doubt it.

receiving: words of affirmation

honestly kind of the same deal with draco, but he's a lot worse. he wants to be treated like a king--scratch that, he wants to be treated like a god. he craves affirmation for his greatness and abilities. all his followers praise him endlessly, calling him “my lord” and sucking up to him. he also wanted his ideologies to be affirmed and supported by others. let’s face it, words of affirmation were just another way for him to prove to himself that he’s the greatest.

just a heads up guys, I'm so tired as I'm writing this so it was unedited

divider by @enchanthings

taglist: @loveinalocket, @raysmayhem-72, @stars-tonight, @toooster, @soft-likethesunset, @sheisntyou

[darkficsyouneveraskedfor]

Family Matters

Inspired by this post; in the same universe as this

Warnings: non/dubcon, cheating, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Thor Odinson

Summary: your new husband's brother surprises you with a visit.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

The doorbell rings again and you barrel so quickly down the stairs, you nearly topple off the bottom step. You catch your breath and grab the post at the bottom of the banister to steady yourself. It’s a splendid house but you told Loki it’s too big for just the two of you. He didn’t like that so you didn’t mention it again, even though it feels empty with how much he’s not around. 

You let those worries slake off of you and hurry to the door. It could be another surprise! Loki hates leaving you for so long so he tries to fill the void with gifts. Sometimes, they make you feel better, other times, you’re just sad. You’d rather have him there. 

It’s not a courier but a familiar face. Your brother-in-law. It’s official as of one month ago. You’re family. 

“Oh, hi,” you deflate, trying not to show your disappointment. You’re not upset it’s him, you just hate being the one to say, “Loki’s not in.” 

Thor smiles. He’s rarely unhappy. “Ah, that’s unfortunate. Where is off to, then?” 

“Work,” you grumble the repetitive explanation. “Important project or something.” 

“Important enough to leave you alone?” He wonders. 

“I... guess,” you try not to mope. Loki says it make you look childish. 

“Well, I am much in the same boat. Alone,” he laughs hollowly. 

“Oh, yes, I... how are you doing?” You ask. “I didn’t get a chance to thank you for coming to the wedding. Really, I know it must’ve been difficult.” 

“I couldn’t miss my brother’s special day,” he shakes his head. “It was a day for love. Wasn’t your fault mine decided to leave...” 

Your heart breaks for him. The day you were married, Frigga told you what happened. A hug fight right after your rehearsal dinner. Jane left before the morning. Despite all that, Thor didn’t show a hint of grief at the wedding. 

“It’s too bad. I liked Jane.” 

“Needless to say, I did too,” he smiles thinly. “Well, I hope I didn’t disturb you very much. I suppose I could come calling tomorrow and hope my brother isn’t too busy for the likes of me.” 

Your heart rents for him. Here you are, a new marriage, a husband to long for, and he lost his girlfriend of five years. You don’t have much else going on, it would be nice to have someone there. 

“Did you wanna hang around for a bit?” You ask. “Not much going on but... this place is eerie when you’re all alone.” 

“Hm, did Loki say when he would return? Wouldn’t mind waiting around a bit,” he suggests. 

“I hope soon but he didn’t say,” you shrug. “Yesterday he wasn’t home until midnight.” 

“Midnight? He would make you wait so long? A lovely young wife like you?” He scoffs. “Well, that is just terrible. I will not commit the same crime as my brother. I’d love to come in.” 

“Alright,” you smile. “I... we could put something on? I was going to watch the new season of the true crime show.” 

“Ha,” he enters as you step back to let you through. “That wouldn’t help being alone, would it?” 

“I guess not,” you giggle. “We could watch something else. A comedy. I’ve been rewatching Friends. For the hundredth time.” 

“Whatever you like,” he slips his shoes off and puts them on the mat. “The only words a woman like you needs to hear, eh?” 

You laugh again, “do you want snacks? I got some caramel corn and gummy bears.” 

“My brother let you bring those in his house?” He wonders. 

“It’s our house,” you face him with a pout as you stand in the broad archway to the front room. 

“Yes, you are correct. My apologies,” he follows. “You know, he only hates those sugary treats because he is weak to them. Be sure to hide them well or you might find some missing.” 

“No, he never wants any,” you continue into the front room. 

“So he wants you to believe,” Thor counters. 

“How about drinks? We got a bunch of wine from the wedding. Some scotch?” 

“I only really indulge in lager and I'm not of the mood for it,” he assures. “I could help with the snacks.” 

“No, no, sit,” you grab the remote and hold it out to him. “Find something to watch. I’m so indecisive I just flick through the menu for an hour.” 

“I will do my best,” he accepts it. His hand dwarfs you own as his fingers brush across yours. Loki’s hands are long, but not as thick. 

You push your shoulders up and spin around to flit off to the kitchen. You scurry away and slide into the kitchen. You go to the cupboard and take down the bag of caramel corn. You pour some in a bowl then grab the package of gummy bears and a box of cream cookies. 

As you come back to the living room, Thor leans forward to set the down the remote. You put the treats on the glass table and sit on the other end of the couch. You only realise then how awkward it is. You’ve never really been alone with him. 

“Thank you. So sweet of you to have me,” he says as he twines his fingers together. “I feel as if everyone has been avoiding me since Jane. I fear I might be a bit... melancholy.” 

“Oh, uh, yeah,” you glance at the TV as it plays an intro to a show you don’t know, “well, how can anyone blame you? You’re going through so much.” 

“I’m an adult, these things happen,” he says. 

“Sure, they do, but I mean, it still hurts. It’s not easy,” you insist. “I can’t even imagine what you’re going through.” 

“Ugh,” he puts his elbows on his legs and cradles his head. “I don’t mean to bring my dark cloud in here.” He rubs his temple. “Truly, I think I’ve been trying to outrun it but... what else can I think of with only an empty home to go to?” 

“Oh, Thor,” you sidle closer on the cushions. You gently touch his arm. His bicep is a lot bigger against your hand. “It’s okay. You can’t hold it in forever. It's good to feel these things. Once you get through that, you can move on and I’m sure you’ll find the right one.” 

He sniffles and you flinch. He quakes against your touch and your chest knots. You never imagined him crying. Especially not a man his size. You don’t know what else to do but comfort him. You rub his shoulder and he huddles over further and wipes his face. 

His long blond locks conceal his tears as he mops his sadness away with his knuckles. You hum and get even closer, your hand trailing up his back. 

“Thor, I'm sorry. It feels so cruel, I know. Especially the timing of it--” 

He startles you as he leans against you. You let out an ‘oop’ as he turns to embrace you, curling his shoulders and hunching to put his head on your shoulder. You have no choice but to let him. 

“Oh, it’s been awful,” he snivels. “I’ve been so lonely.” 

“Shhh, let it out, that’s okay,” you rub his back and stare at the wall. You certainly didn’t expect the night to go like this. 

He holds you tight as he cries against you, his body heaving. You know Loki isn’t the best for these sorts of things so you’re happy at least he trusts you enough to listen. That’s about as much as you can do. 

“You won’t believe how cruel she was,” Thor rasps. “She just yelled and yelled. She shoved me and—she just kept accusing me.” 

“Accusing you? Of what?” 

He’s quiet for a moment. He lifts his head to look at you, his arm across your back. “Of wanting another.” 

“Oh?” You blink in surprise. 

“I told her no, no, I did not, but she kept saying “I see it! I see it in your face!” And I swore to her, no, no,” He wipes his face with his other hand, “but now I’m afraid she might have been right.” 

“She... who?” You frown. 

His arm wraps around you, his fingers dipping into your side and in a moment, the couch shifts beneath you. You cannot resist as surprise paralyses you. Thor lifts you easily onto his lap, turning you and sliding you to sit on his thighs. 

“Woah, uh, whaat--” You press your hand to his chest. “Please, Thor, you’re emotional--” 

“She was right, kitten, you are so soft, so gentle, and I could not look away. She caught me--” 

“No, no, you can’t-- Loki--” 

“Loki leaves you alone. He would rather work than stay and adore his precious wife,” He cups your chin and forces you to look at him. “He would abandon you...” he leans in as his eyes fall to your lips, “and leave you unkissed.” 

You try to pull back but you’re trapped in his embrace. He squeezes you close and crushes his lips to yours. You squeal and struggle against him, finally turning your head so his mouth smears across your cheek. 

“Untouched,” his hand trails down your neck and you clasp onto two of his fingers, straining to keep him from going lower. “Unloved--” 

“Thor, stop, let me go--” 

He leans over so your back is on the cushion, his arm beneath you as your legs are folded up over his. He is on his side next to you. His large hand comes back to frame your face and he squeezes to keep you from squirming. You tug as his shirt and whine. 

“Thor, please, stop. We can forget--” 

“I can’t forget,” he growls and nuzzles your nose. You whimper and push against his chest again. He is stone, he is unmoving, and you know you cannot stop him. “I will never forget how you feel against me, kitten.” 

[fictionplumis]

I haven't gotten far enough in canon to know if it's confirmed that Essek floats because he has chronic pain or if that's fanon, but I love it because as someone with muscle inflammation I too would float instead of walking if given the chance.

But man, muscle atrophy is a thing and floating everywhere would probably make Essek's problems worse unless he has some good stretching routine on his more bearable days and that just gives me all kinds of mental images of Essek's potential routines, maybe including magic on rougher days to help ease gravity like water exercises would, and the occasional naked yoga routines on good days that also overlap with the days he feels like being an unbearable tease to Caleb.

Sorry Caleb, you can't interrupt your hot drow boyfriend's naked yoga time, it's important for his muscular health. Poor guy just has sit there pretending to read research notes while consumed with lust. Every so often Essek smells burning parchment and has to remind Caleb to please not set their research on fire by accident.

[tomorrowxtogether]

HUENINGKAI: “I learned to love myself thanks to MOA”

TOMORROW X TOGETHER The Star Chapter: SANCTUARY comeback interview

2024.11.13

He cleared out his favorite hoodies and learned how to handle Cubase with ease. While many things keep on changing, some things are forever constant: the music, the group, and MOA. They are the true passions of HUENINGKAI, whose confident tone reassures us of his commitment to forever.

You cleared out some of your hoodies and stuffed toys—what you called your “horcruxes.” HUENINGKAI: Well, the hoodies were way too small for me anyway. (laughs) I wanted to try out some new styles, too, so I cleared them out. I decided I needed to ditch the hoodies first and try something prettier, including buying some knit sweaters. I also felt I could do away with my old stuffed dolls and replaced them with some new fluffier ones. It’s hard the first time you get rid of stuff, but I found it gets easier after that.

You’ve made a lot of big changes in different areas. You’ve been keeping up with your exercise, even throughout the ACT: PROMISE world tour, forming the TXT Exercise Team and regularly taking “TXD” [today’s exercise done] photos. (laughs) HUENINGKAI: I always take TXD shots. I share them in our group chat. I started working out to boost my self-esteem since they say it helps, and it definitely helps keep my mind off things when all you can think about is how tiring it is! (laughs) You can’t help but lose weight if you box. It’s the only thing that makes me sweat as much as performing in concert. There’s someone on staff who’s been doing CrossFit for a long time, so I recently started too. My goal was never to bulk up and get these huge muscles in the first place but to have a slim build with lean muscles, so CrossFit seems like a good fit for me. And MOA, you don’t have to worry—I’m not going to overdo it. (laughs)

A lot of MOA were surprised the way you threw the guitar during the performance of “Growing Pain” on the ACT: PROMISE tour. HUENINGKAI: My image sure underwent a transformation. (laughs) I wanted to show how even someone like me, who’s usually so pure and soft, has some rock star inside him. I looked up different ways of capturing the idea of smashing up the stage. I initially thought about breaking the guitar, but I figured throwing it would be better. That was all I did early on in the tour, but by the time we took it to the US, I experimented a lot, throwing the pick and flipping my bangs back later on. I was happy I got to show off a different side of myself through all that.

You’ve always had a knack for playing instruments and like playing them for fun. How do feel now that your YouTube series HUENINGKAI Wants to Start a Band is over? HUENINGKAI: I love playing instruments and being in a band, so I was thrilled to be able to make it. Just holding an instrument in my hands makes me feel happy, and actually interacting with and jamming with a band felt like a quintessentially youthful experience. The whole thing was fun to shoot. It never felt like work to me. I approached it like I was going to hang out with a school band.

What do you think makes being in a band so uniquely appealing? HUENINGKAI: I think it comes down to the eye contact you make while playing together. I think chemistry’s the most important part of a band, and when you’re looking each other the eye and having a good time together, you feel fully united. I feel like rock has the power to make unforgettable memories for both the band playing and their audience. I heard MOA saying they’re interested in playing in bands now or want to get back into learning an instrument. HUENINGKAI Wants to Start a Band was a huge motivation for me, and it makes me happy thinking it planted the seeds for some great dreams among MOA. I hope they challenge themselves to pursue whatever they want and achieve their goals, whether that’s playing in a band or something else. Just the act of trying something new takes a lot of courage, and if they build up some experience, they can truly enjoy their youth.

What form did that sense of youthfulness take on when you were making the show? HUENINGKAI: It’s the kind of youthful experience you can only experience during your university years, full of excitement, sorrow, and happiness all mixed together. The song “Kitto Zutto” is actually supposed to be about how I felt filming the Yonsei University episode of HUENINGKAI Wants to Start a Band. I seem to remember working on it between filming episodes two and three. I tried to make the chord progression feel both bright and also have a refreshing, youthful vibe. The very first thing I made was the piano track, but it felt a bit bland, so I turned up the BPM and then it sounded great! The funny thing was that I tried to play at that higher BPM but my fingers couldn’t keep up. (laughs) Since it would’ve been a little bland with just the piano, I felt like it’d be nice to have a catchy melody, so I had a guitar riff repeat from the intro onward. That’s the main highlight of “Kitto Zutto.” The drums gradually build up the sound and create a sense of flow.

How do you think it compares to the first song you produced, “Dear Sputnik”? HUENINGKAI: I’ve grown so much since then. When I was working on “Dear Sputnik,” I didn’t know how to use Cubase, but I used it to make the song this time. It was easy and convenient once I got the hang of it and got better as I used it more and more. Actually, for “Dear Sputnik,” I created the basic structure, but I got a lot of help from other people since it was less than two years since I debuted. I really wanted to contribute a greater share after that, and I did contribute significantly more to “Kitto Zutto.” It’s the first on a path of hard work towards being able to make a song I can truly call my own.

When you had just debuted and you were on Section TV, you said, “Ever since I was a trainee, my one goal has been to make and perform songs that can move people.” To what degree have you achieved your goal? HUENINGKAI: With “Dear Sputnik,” 30%—“Kitto Zutto,” 60%. Right from when I was first writing “Kitto Zutto,” I was thinking about how fun it would be to sing it with MOA in concert. Nothing makes me feel more fulfilled than when I see MOA enjoying a song I produced. When I performed those songs in concert, I went around in front of the audience on the moving stage and could see MOA up close and personal. They all looked so happy. I’m glad I made these songs that MOA can really get into singing along with and that we can touch their hearts with. I think singing them together gives them their final touches. I want to keep making and performing songs that everyone will love and can make them feel happy when they listen to them.

In many ways, the past year has been an excellent showcase of how you’ve grown musically. You really got people talking when you were on Lee Mujin Service and when you performed “BETELGEUSE” on the Nippon TV show THE MUSIC DAY. HUENINGKAI: I got lots of messages from people I know. (laughs) It’s the first time so many people have reached out to me like that. I was grateful but there was something indescribable about it because I feel like I’m still in the process of finding my own voice. I’ve tried singing with something more like rock vocals, and even though I don’t have difficulty hitting high notes, I’ve been thinking carefully about how to make them sound even better. I’d like to find vocals that are a little more unique to me. Obviously being a good singer is important, but I feel like sometimes that individuality is even more important.

You’ve always been a kind person, but you seem pretty strict with yourself. HUENINGKAI: Only when I feel like I’ve perfected a skill can I say that I’ve truly made it mine. I’m sort of a worrier so I practice on my own outside normal rehearsal time. Our new single “Over The Moon” is hard. (laughs) My feeling is, if you want to dance well during live shows, it starts with singing perfectly before you ever even stand up. And when I’m performing onstage, I just think, Just do it like we practiced. I might just end up making mistakes if I try to go beyond that.

I guess “Over The Moon” would’ve been hard since it’s more about making it feel romantic than unfolding a clear sense of progression. HUENINGKAI: It’s not a sad song, but it doesn’t exactly feel cheerful either, so I was aiming for a kind of longing middle ground. I start out singing softly to MOA, almost like a whisper, then add in a touch more of that longing in the chorus. I see “Over The Moon” as me removing the gravelly vocals from “0X1=LOVESONG (I Know I Love You)” featuring Seori and keeping it light.

When watching “Over The Moon,” it reminded me of “9 and Three Quarters (Run Away).” HUENINGKAI: Exactly! It’s got the same ear-tapping move on the line “whisper me my name” as in “9 and Three Quarters (Run Away),” so I ended up watching our old performances for the first time in a while. My image back with “9 and Three Quarters (Run Away)” was meant to evoke the excitement of school days, while in “Over The Moon,” I tried to convey something a little more mature, like a university student.

You also came across as mature the way you led the older members in the 144th episode of TO DO X TXT, “Abandoned Stars,” even though you’re the youngest in the group. HUENINGKAI: That’s probably the most they’ve ever needed me. (laughs) It was scary at first, but I helped them because I felt like they wouldn’t even be able to go in if it weren’t for me. And anyway, it was less scary the second time around. I guess it’s because I’m a levelheaded person. They were clinging to me so desperately I thought my clothes would come off. (laughs) That was a first. But on the inside I was actually kind of glad and thinking about how much they need me.

You also paid YEONJUN a visit when he was shooting the music video for “GGUM.” HUENINGKAI: YEONJUN was the first one of us to do a solo project, and since I wanted to show my support and express my gratitude anyway, I brought some dakgangjeong we could eat together. (laughs) But most of all, I really wanted to learn from him. The stage presence he had as he sang from start to finish all by himself, and watching how naturally he ad-libbed towards the end, was all pretty amazing. (laughs) His solo was a good experience for us, too.

You’ve always emphasized in interviews how you want to be dependable for the rest of the group. What does trustworthiness mean to you? HUENINGKAI: Teamwork. The greater the trust between us, the stronger our group becomes. As a member of a kind of team, it’s always my hope that the other members can continuously rely on me. That’s what being a team is, after all.

And honesty is crucial for mutual trust, of course. In an interview with W Korea, when asked what it takes for a group to last a long time, you said, “Teamwork. Being open with each other about feelings.” HUENINGKAI: I actually never used to talk much about my feelings. I thought things would just work out over time, but now I talk things over with the people I’m close to, like the other members, my family, and the protocol team, no matter what it is. I really listen to their feedback, too. It just feels better that way. But it’s not at all easy to open up about what you’re feeling inside, of course. You can never just be like that from day one. So I just started slowly, and now I’m more open than I was last year.

You posted a letter on weverse for the fifth anniversary of your debut, and in it you talked about how you’ve always been careful to hide your feelings away because you didn’t like to talk about them. What made you decide to open up to MOA? HUENINGKAI: I never wanted to let MOA know when I was having a hard time. I always wanted to show them the good sides only. But the longer we were together, the closer we became, and I realized that also talking about those things was the right way to further develop the relationship. That’s why I was honest and open in what I wrote on weverse on March 4. I resolved to be more honest and open from then on.

It takes a lot of courage to be open like that. How did you find it in you to find the courage? HUENINGKAI: It’s all thanks to MOA’s love. Every time MOA opens up through their fan letters or in person, I can sense their love. The phrase, “my youth is TOMORROW X TOGETHER,” is beautiful, and hearing, “I’ll love you completely for who you are, no matter what—I love you so much,” absolutely fills me with strength. All these people around me were showing me love, but I felt like I didn’t love myself. I learned to love myself thanks to MOA.

It’s clear that you have an immense amount of love toward MOA, too, like when you said, “It may have been hard doing what it took to debut, but I could do it all again 100 times if it meant I could be with MOA.” HUENINGKAI: I wanted to show them just how much I love them. There were a lot of times I felt like giving up before I debuted, but MOA helped me forget all about it. I know what it means to find happiness as an idol thanks to them. I think MOA is what’s made TOMORROW X TOGETHER whole.

[hygienic-soap-dispenser]

Hws Nordics as University Students Headcanons

Because I am a suffering student and you need to suffer with me <3

Denmark

The clown of the group

Has trouble focusing/paying attention

Will use other Nordics in group study session with the goal of body doubling to keep each other in check and focused, but often devolves to laughing and banter instead

Offers good moral support and asks a lot of questions in class, has great participation marks, but can go off topic

Rallies people to meet when need to discuss group projects, again he is great moral support

When writing he either cannot write anything or speed types and hyperfocuses, no in-between

Appears self-confident and social but can actually struggle with self esteem and seeming like he's incompetent or "too much" for people, tries to compensate by being extra likeable and useful

Bonds with people over humor, socializing and making friends are more important than grades to him

Only chooses classes that interest him, does surprisingly well as a result

The most likely of the Nordics to be late for class

Goes to a lot of college parties

Sweden

The mom of the group, always checking in on people and making sure everyone feels included

Reformed high school bully, but still gossips with Norway about classmates and faculty

Has very high standards for himself and his work, will force people in his group projects to do at least 2 rounds of editing

Can really get in the zone and hyperfocuses when studying, but to do that he needs his noise cancelling headphones, his stim toy, perfect room temperature, comfy study clothes, and his daily ritual to actually start

Refuses to pull all-nighters to finish assignments, sleep is more important to him (king)

Is professional with group projects, is calm and good with delegating work

At the same time, he is very opinionated and loves to debate people in and out of class. Often argues with specific students

Easily overwhelmed from noises, activities, and group projects, needs to find quiet places to hide

Gets good grades, professors either love him or forget he exists

Is part of some interest clubs, like for art and woodworking

Norway

The mysterious hottie who sits in the back of class

Hates group projects, doesn't contribute much to them unless it's with his favourite people (other Nordics, specifically Sweden)

Doesn't contribute much in class, but when he does it is good

The class health nut, goes out for 6 am and 11 pm jogs (he is insane)

Also tbh he gives off the vibe of someone who'd be a health nut but also really into drugs at the same time?? Like he does sports and yoga and tracks his water consumption and macros but at the same time experiments with drugs to "expand his spiritual worldview"?

Is fine with concentration, doesn't really struggle unless there's a lot going on in his head at the time

On that topic, he frequents the counseling and medical clinic. There have been rumors about his frequent medical visits...

His writing is okay, nothing to write home about, but then sometimes can get very poetic and profound, especially when it's a personal topic

Gossips a lot with Sweden, they like to people watch together

Skips a lot of classes, somehow still passes

Finland

Perfectionist and an over-achiever, bases a lot of his self-worth on grades. Will get upset if he gets anything below an A-

Can feel like he's in a competition with classmates for good grades and approval from professors, will ask a lot of questions and tries to start discussions in class

Will talk to the professor right after the end of the 1st class to introduce himself and establish dominance

Tries to humble brag about school and his work ethic by telling classmates how often he crams and pulls all-nighters

Very anxious about grades, always does well (at the cost of his mental health)

Mostly sustains himself on energy drinks and coffee

Doesn't like group projects because he thinks no one else cares about doing well as much as he does

This isn't helped by the fact that he has trust issues and thinks others will let him down

Frequents the counseling center and medical clinic on campus. The former because of stress and trauma which worsens school stress, the latter because of medical issues as a result of said stress

Professors either love him or hate him

Despite how he acts in class he's actually a people-pleaser, but his over-achieving nature can be hard to deal with

Goes to the campus gym at least once a week to lift weights, probably part of the school hockey club

If he survives, will pursue graduate school

Iceland

The freshman, trying to figure things out

Thinks that because he did well in high school he'll have an easy time in university (he won't and will be humbled)

Sits in the back of class but secretly wants to sit up front with the "nerds", doesn't want to risk making a fool of himself

Overanalyzes group projects and panics. Double/triple checks his work before sending in his contributions because he wants to seem competent in their eyes

Usually reserved but once he opens up will say the most out of pocket things, sometimes it slips in his quiet phase

Surprisingly, is among the worst of the Nordics in terms of grades. This is mainly because he is unconfident in his own work and views, so he often ends up self-sabotaging his work or doing the bare minimum

His friends are his main priority in school, not grades

Like Fin, is a people-pleaser. Unlike Fin, he is easy to get along with

[hypnoneghoul]

'Tis time...my 'tism decided to challenge me and stand me up against the ultimate musical 'tism. Tobias Forge's

Influences in the music of the band Ghost (tributes, nods & inspirations)

Some of them are a very straightforward copy-paste action, some of them are smaller nods towards other artists and some of them are only influences, or even something I personally hear, but not everybody might. They are in order from most obvious to might-be-my-delusion. I didn't include covers because. Kinda obvious.

It is possible that some of these are simply samples, I didn’t look into that, but if I’m being completely honest, I don't think Tobias is a sample guy. Also, there’s couple examples from Impera alone, mostly because he spoke about his inspirations for it a fair amount, which makes it easier to trace, so to say.

This one goes first, because it's literally the same thing! Just reversed. I feel like that's common knowledge in the fandom, but I couldn't skip it. If you didn't know and Deus Culpa always hurts your ears (same), this is why!

(These two are in one file because Tumblr has an audio limit and I had to merge something) Tobias frequently speaks of his love for Metallica's music, as well as its members, so it's honestly no surprise hfhfh. He fangirls hard, and it even got him to open for them as we all know, so that's super cool!

I haven't seen/heard him talking about Opeth that much, but he is and/or used to be close with multiple members so again--no surprise at all.

This one is super interesting, because it's not only similar soud wise.

“[...] we recorded this album [IMPERA] in Atlantis Studio in Stockholm, [...] where ABBA recorded most of their hits. [...] it’s the exact same outboard gear, mixing console, microphones, marimba and piano we had around us. You’d play the piano and it would sound exactly the same as it did on Money, Money, Money.” --Tobias Forge for Guitar World

Not much to say about this one other than hell yeah, Michael Jackson.

This one also has a play on Europe's, which I find super cool! Swedish rock unites. From what I remember Tobias has also mentioned something about Whitesnake being an important influence.

(This one is empty for the first 10 seconds to go around the copyright scan) This is a cute little nod towards Pink Floyd that has Tobias put into live shows, and it's been a thing since 2015.

Another one that Tobias has spoken about for Guitar World.

“The double bass allowed for that Vinnie Paul [of Pantera] thing where there are triplet-feel things on the kick drum. Nothing against Pantera, but what influenced me there was actually a track called Blood Ritual by Samael, which had that feel I wanted to tap into.”

It was said about Watcher In The Sky, but I think same idea guided Twenties as well.

Griftwood was also talked about for Guitar World

“What made the song for me was the fact that there’s this crazy breakdown in what’s otherwise a Sunset Strip kind of thing, which I see as more Van Halen than Ratt.”

No song was mentioned by Tobias, but I had Talkin' 'Bout Love in mind even before I read this article, so I'd say it fits!

Pretty self explanatory, I think.

(This one is empty for the first 10 seconds to go around the copyright scan) Kansas is an absolute gem and to me it does sound like it was the inspiration here. Knowing how much respect Tobias has for rock classics, I'd say it's very possible he had Carry On Wayward Son in mind.

And that's it! Sorry if y'all hoped for more jfgjdfg but anyways, hope you enjoyed my yapping and, as always, any questions are very welcome :3

Taglist: @delusionalbitchinthehouse @0-miles-away @callmeghoulshit @skele-bunny @ratsummer @kentuckyfriedsatan @everybodyshusband @lilhoechlinsbae @jimothybarnes @starling-ghoul @rain-ghoul-appreciator @devilsandstarlight @karmicbias @jazz-bazz @arkeusruin

[zepskies]

@lamentationsofalonelypotato

Aww I'm so happy to hear that, friend!! 🥰🥰

It's not a problem Dean, (the gun is obviously BUT) she is beautiful and you will love her and I will cry at your wedding.

Ehehe it's funny you mention their wedding...

Dean no. No feeling bad for saving your girl and for killing the "sack of shit in human clothes."

Ugh right? Trust, he doesn't regret killing that bastard loll.

Also I didn't notice the Colonel Sanderson thing before and now all I can think about is KFC lol.😂 Which is not to take away from how good this fic is or how well it's written. It's just me lol.

Actually THANK YOU for noticing that because Colonel Sanders was an intentional reference! lmao I saw some meme that called Asmodeus "Bullshit Colonel Sanders" and it made me cackle, so I included that a little bit here. 😂😂

Oh goodness she is already so protective of him and oh my word the wink had me melting lol.

See! It's not taking that long at all for her to start softening up towards him loll. At the very least, she doesn't want to see him killed for her after killing for her.

I also don't think that I mentioned this before, but I really like how you wove in the other characters in the show. Seeing Benny and Cas show up just made me so happy.

Aww thank you!! 🥰🥰 When it comes to AUs, I try my best to fit in canon characters where they make the most sense to me, and try to make them feel "as themselves" as possible.

Oh my word seeing that fight in my head, um... YES PLEASE. And the loyalty?! The love for their friend?! The "Goodbye brother."? It's so good.

Imagining Dean in uniform, even if he's fighting his friends, just does things to me too loll.

Ultimately, Benny and Cas are good men even in this world, and they didn't want to have to bring in him or Mila to the Colonel either. 💜

She's squishing his face! That is so cute, oh my stars. Plus I am cackling at how long it took him to be able to say her name.

Ahaha this was my favorite part to write for this chapter! Dean struggled, bless his heart. 🤣🤣🤣

I absolutely love this! I really love it when writers pick the names of their characters based on the meaning behind it. And the fact that you gave the meaning of her name a backstory of her mom having a dream and the butterfly meaning that Mila "would have a free mind" is just so perfect for her. Because she is stubborn and she does have "a free mind" by being rebellious and strong, by being a strong female character who does not conform to the whims of what other people deem to be appropriate for her. Also it was funny that Dean thought she was like a "lioness."

Aww thank you!! I'm usually pretty conscious of names and the meanings behind them, but especially in this story I got deep into the research of the Lakota people, and I found that names are very important to their culture, now and historically.

When I was looking for a name for her, Kimmímila stood out as being beautiful (with a nice nickname), but perhaps on surface level didn't reflect her true personality. So that's why I worked in that backstory with her mother's dream, vs. who she wanted her daughter to be, and who Mila considers herself to be. And bonus, what Dean observes of her! lol

So I absolutely love all of your observations here, because that's exactly what I intended for her!

This is a really wonderful line, that the war "never really ends." It really fits this story and honestly it really fits the entire early history of the United States when it was acquiring territory and embracing the "manifest destiny" ideals.

Aww thank you so much!! That's what I thought as well, not just for this story, but for the greater context of U.S. history during this time and the push to industrialize the entire country.

Okay, the whole part where she is explaining things about her life and her culture was so sweet. Them opening up with one another is just so soft and a little fluffy and I'm so glad that they got to have those gentle moments with one another. Not to mention this bit where Dean admits how much he likes listening to her, is just so good lol. And I thought it was really on brand for him to be a little upset that she doesn't completely trust him yet, even though that he killed one of his men. But he's got to learn to be patient... and then propose. LOL.

That was so fun for me too! The "getting to know you" aspect. I thought that opening up to one another was needed here, and it gave an opportunity for more historical tidbits!

Ahaha yep, she's a hard nut to crack, but Dean need only be patient. He's won a lot more brownie points with her than he realizes. 😏 "And then propose" -- I'm weeeak!! 🤣

Don't be afraid to admit it Mila, we all know how good he is to look at. And why shouldn't you look at your future husband? 💍

Ha!! Ikr?? Also, you're getting dangerously warm to what's coming in Part 3. ❤️‍🔥

Oh my sweet goodness, the TENSION!! This is so good my friend and I am so excited for what the future of this series holds and am praying that it doesn't end in death!😬💗

The romantic tension is real!! lmaoo

Thank you so, so much, friend!! Part 3 is my favorite part, I think, and I hope you'll be happy with the outcome, even though we've got a fair bit of action and angst ahead...

The Honorable Choice - Part 2

Pairing: Dean Winchester x OFC 

Summary: June 1872. Captain Dean Winchester of the U.S. Cavalry is tasked with one job: break a wild mustang. He just didn’t expect the woman who infiltrates his camp, intent on freeing her tribe’s horse.

AN: “Getting to know you, getting to know all about you…” ⬅️ If you’ve seen The King & I, then you’ll probably be singing that line in your head like I do.

Disclaimer:��I’ve done extensive research for this one, both on the American Indian Lakota tribe, and on American history during this time in the late 1800s (AKA: the Old West, during the American Indian Wars and the Sioux Wars). Of course, one of my main goals is to avoid inaccuracies, both historical and cultural.

Jacklesverse Bingo24 Prompt: @jacklesversebingo Western AU

Song Inspo: The Spirit Soundtrack

Word Count: 3.1K

Tags/Warnings: Angst, protective Dean, historical tidbits, fluff

🐎 Series Masterlist || Bingo Masterlist

🎙️ Listen to the podfic version here!

Part 2: Death & Sacrifice

Dean falls out of his saddle with a yell, landing hard in the grass. The impact knocks the air out of his chest and the hat off his head, not to mention the pain that rattles down his back.

“Son of a bitch,” he wheezes, while trying to get back up.

The woman jumps down from the mustang’s back and all but leaps on Dean. Straddling his waist and grabbing a fistful of his collar, she lets out a battle cry and raises a small knife at him. It’s probably no more than two inches long.

Dean may be on the ground with a smarting forehead, but he’s still got the upper hand. He grabs her knife-wielding arm and whips out his pistol from his belt. Her eyes widen, and she stills above him. The gun lies between them, aimed for her chest. They’re both breathing hard.

Dean has a problem.

Looking into her eyes, soulful and brown, the slope of her nose and her full lips, parted with shock… 

He just can’t do it.

His finger eases off the trigger of his gun, and he lowers it to the ground beside him.

“I told you,” he says. “I’m not gonna hurt you.”

Her head tilts as she stares at his gun, then at him. She relaxes somewhat, and she backs off of him, sliding from his lap down to the grass beside him. Her closed fist with the knife comes to rest at her side. She gives him a look of wary bewilderment.

“You are a strange man,” she says.

Dean has to laugh a little, smiling at her afterward.

“I guess so,” he replies.

Her brows furrow. “You killed one of your own…for me?”

He nods, and his smile falls with a weary sigh. The hard part about that is he doesn’t feel much guilt about what he’s done. At the same time, he does, and the conflict churns in his stomach. He knew what kind of man Roman was. He was the kind of soldier that could’ve filled Colonel Sanderson’s shoes one day. A fellow soldier under Dean’s command...

And a sack of shit in human clothes.

Dean leans back on his hands in the grass and slides his legs out long. His stare falls to the earth between his boots. The ground is soft underneath him. Maybe it rained this morning. 

“Yeah, that’s gonna make it tough when I go back,” he says. “At best, that’s a court martial. At worst…”

The Lakota woman frowns, her dark brows nearly meeting in the middle as she considers him. He wonders what she sees when she looks at him.

“Tell you what,” Dean said. “Give yourself and your horse a rest tonight. I’ll go back and tell them I lost you in the canyon.”

Her eyes widen further in surprise. He can’t blame her for it. He’s surprising himself every time he opens his mouth.

“Will they kill you?” she asks.

Dean shrugs. “Nah, I’ll be fine.”

She levels him with a firmer look, one that demands the truth.

His nonchalance wanes, and he sighs.

“They might,” he says.

She shakes her head. She seems to deliberate over something, but eventually she comes to a decision. Just when she opens her mouth to speak, a gunshot rings out and hits the ground not far from their feet. A warning.

The sound of hooves thundering on the earth reach them before they look up. Two horses gallop towards them in the distance, their riders wearing blue uniforms.

They both tense up, but Dean is the first one to move. He grabs her arm and helps her stand along with him. They scramble back and lead the horses by their reins further into the trees. They find a denser patch and a raised hill to crouch down and hide behind.

The mustang is too tired to go very far, but Baby is already making anxious sounds, protective of her rider.

“Shhh,” Dean whispers, and runs a soothing hand over her side. He leads her to lay down with her legs tucked underneath her.

The Lakota manages to do the same with the mustang after whispering to him softly in her language. There’s a trust between them, Dean realizes. They have a connection that seems to mirror his own with his horse. He doesn’t know how he didn’t see it before.

“Captain!” Benny calls out.

Dean grimaces, but he stays quiet. He turns to the woman and holds a finger over his lips. She stares back at him in apprehension. He begins to creep slowly around the hill, but she grabs onto his wrist. For a second, she looks just as surprised as him by the reflexive action. Then, she shakes her head at him.

Don’t go out there, her eyes say.

Dean smiles, and he gives her a reassuring wink. He gently removes her hand and gestures at her to stay where she is. He army crawls up the side of the hill. It gives him a vantage point to watch his men, who approach just a few feet down below. 

“Captain Winchester!” Cas calls next.

“We don’t want to have to come and get you, Dean. Come on,” Benny says. He does sound reluctant, for his part. His voice grows more somber when he says, “Colonel’s given us orders to bring you and the girl back…dead or alive.”

Dean knows the position he’s put his own men in. He doesn’t blame them for following the Colonel’s orders. He just hopes they can forgive him for what he’s about to do.

He leaps off the edge of the hill with a yell and brings Benny with him to the ground. He sweeps Cas’s legs out from underneath him, then tosses a punch that lands on the corner of Benny’s chin. He kicks Benny’s gun away, and wrestles Cas until his pistol falls from his hand. The three men scrap and trade blows, until Dean is the only one left standing. His men are groaning on the dusty ground, slowly picking themselves up.

Dean’s heaving for breath as well as he leans back against the side of the hill. Despite that momentary victory, he knows what they all know: that this fight isn’t going to end until either they’re dead, or he’s dead.

“Where’s the girl, Dean?” Benny says. He implores him to see sense. “We take her back with us, we can smooth all this over with the Colonel. All of it, even Roman.” 

Dean lets out a deep breath, but he shakes his head.

“Can’t do that, Benny,” he says. “I’m sorry.”

There’s a question circling in his friend’s eyes, but after a beat, Benny seems to know the answer to it. He picks up his gun from the ground. Just like Dean once did, the Lieutenant now has a choice to make.

He shares a heavy look with Cas. The two of them nod, before they focus back on Dean.

Benny’s hand falls, and he stows his gun.

“You died today,” Benny says. “We found your body somewhere in the canyon. Your horse too.”

Dean nods, with something of a smile. He supposes faking his death is the only option now. He rips the badge off his uniform jacket and tosses it to Benny.

“There’s your proof,” he says.

Dean shares a grim nod of respect with Cas while Benny examines the torn patch denoting a captain’s rank.

“Take care of each other,” Dean says.

Benny’s head raises, and he meets Dean with a somber gaze.

“Goodbye, brother.”

Dean doesn’t return to her until the men are out of sight through the trees. She’s still hiding along with the resting horses, waiting for him. That alone surprises him. It would bring a small smile to his face, if the weight of that goodbye didn’t feel so heavy on his shoulders.

He reaches out a hand for her. It takes her a moment to consider it, but she accepts his offer.

He helps her to her feet, after which, she quickly pulls her hand back. She’s wary of his touch, her face guarded when she looks up at him. Dean supposes he can’t blame her, even if it does strike a nerve. After what he just did for her…

His face becomes stoic, and he turns away to grab his hat from the dusty ground. “We should probably head out.”

She nods and calls to her horse to encourage him to his feet. Despite himself, Dean can't help but be curious. How did this girl manage to tame that wild beast?

“Does he have a name?” he asks.

“Mato,” she replies.

“Mato,” Dean echoes. “Does that mean something? You know, in your language.”

She eyes him wryly, brushing her hand over Mato’s hide.

“It means angry, like a bear,” she says.

Dean snorts. “Yeah, good name.”

He remembers his bruised side (and ego) from when the mustang threw him off his back.

Dean watches her with another realization as she gracefully mounts the horse. Baby has gotten up to her feet as well, already nudging the back of his arm with her snout. He rubs her nose in affection.

Then he turns to climb up onto her back, settling his feet into the stirrups and loosely grabbing the reins. He follows his companion’s lead farther into the forest, but he guides his horse to fall into step beside hers.

“Will you tell me your name now?” he asks. “Think we’ve been through enough together at this point, don’t you think?”

She considers it with a tilt of her head. She looks over at him with a small smile.

“Kimmímila,” she says. The syllables roll off her tongue effortlessly.

Dean raises his brows. “Kim…Kimmeela.”

She shakes her head at him, her lips pursing.

“Kimmímila.”

Lord help him, but he tries his best. His brows furrow.

“Kim…mila,” he attempts. She guides Mato closer and grabs Dean by his cheeks with one hand.

“Kimmí.”

“Kimmí,” he repeats with his cheeks squished. His face is starting to warm up, and not altogether in embarrassment.

“Mila,” she says with a nod.

“Mila,” Dean says. “Kimmímila.”

He’s treated to her smile, warm and true. She releases him, her gaze flitting over his face. Then she keeps riding. Dean grins to himself.

“Think I’m gonna call you Mila,” he says. Make it easier on myself.

She even laughs, a honeyed sound. “Yes, my father does too.”

“What does it mean? Your name.”

“In your language?” she says, in a tone that teases him back. She becomes thoughtful as she searches for the word. “It means…butterfly.”

“Really?” Dean remarks. She doesn’t strike him as a butterfly.

More like a lioness, he thinks, only somewhat holding back his grin.

She gives him some side-eye, despite her amusement.

“You think it does not suit me,” she observes.

“Well, I didn't say that—”

“I don’t think so either,” she admits. “There are many things that don’t suit me.”

Dean chuckles. He can imagine that.

“But my mother had a dream before I was born,” Mila says. “She saw beautiful wings, and said I would have a free mind. When I grew, and wanted to spend my days with horses more than cooking and sewing things, she didn’t call me free. She called me stubborn.” Her face begins to fall. “Maybe too stubborn.”

Dean offers her a rueful, sympathetic look. “Yeah, I get it. My brother always said I was damn hardheaded,” he says. “…Maybe we’ve got more in common than we thought, huh?”

Mila’s smile returns, however slightly.

“You have a brother?” she asks.

“Oh, yeah. He’s a lawyer, so he’s more needed back home,” Dean replies.

Damn. He really does miss his bookish little brother.

He explains to her about his family, his brother and mother who still live in Lawrence, and how he joined the army, in part to honor his father.

“What happened to him?” she asks.

“He died…in some cornfield near Sharpsburg, Maryland, fighting the Confederacy,” he replies, heaving a breath.

"Con...federacy?" she questions.

"The South," Dean explains. "See, most of our southern states thought they should be their own country, letting slaves plow their fields and mind their kids. I may have lived on a farm, but my father always paid his workers. He fought for the Union."

"So you fought among yourselves, over land that did not belong to you," Mila points out.

Dean falls silent. After a little while, he concedes her point with an incline of his head.

"Fair enough," he says, glancing over at her. “I think my dad thought the fighting would end with the war, but, uh...it never really ends, does it?”

Her expression of curiosity fades, turning more solemn.

“No,” she agrees. “…I am sorry for your father.”

Dean's a little surprised to hear that from her, but he nods his thanks. They continue to talk as the sun begins to set in the west. When it dips behind the canyon, they stop to make camp for the night, and he helps her catch a rabbit to roast on the fire they build together.

That night over the meal, she slowly opens up to him. He learns that she’s an only child, though she has a sibling-like bond with her older cousin, Šóta. She spends most of her days planting or harvesting their crops, depending on the season, as well as sewing, painting, helping the elders of her tribe with tasks, and helping her mother and aunt cook.

When the rabbit is gone, she unbinds her long, thick hair and untangles it while she speaks. She explains that the Lakota are just one of many tribes. There are six other bands of Sioux who live in this region. Along with the Dakota and the Nakota, they are the “Seven Council Fires” who have made the Great Plains their home for generations.

She tells him about the way her tribe lives, caring for one another, giving the land back as much as they take, and letting it rest. The men hunt and protect the village from the outside, but the women protect the inside, their way of life.

Most of all, Mila tells him, she loves caring for the horses. She goes out and rides whenever she can duck out of her mother’s watchful eye.

Dean enjoys listening to her stories. He likes what he learns about her, but also, he just likes the sound of her voice, smooth and steady, almost calming. He thinks she might like the sound of his too, the way she’s smiled at him, laughed with him, glanced at him when she thinks he’s not looking.

She still picks a spot as far away from him as she can to sleep though. She keeps the fire pit in between them. He even catches sight of her knife, hidden in the hand she tucks underneath her cheek. Evidently, she doesn’t fully trust him just yet.

It annoys him at first, considering how many times he’s saved her already. How much he’s sacrificed just to get them this far…

Until he remembers how they met. He remembers the disdain and anger in her brown eyes, then the mistrust, and the fear hidden underneath. He thinks of every experience she’s likely had so far with the U.S. Military, and anyone else who looks like him.

Dean settles down on the ground and stares up at the innumerable stars in a raven sky. He’s exhausted, but his thoughts don’t let him rest for a while. 

At the very least, the way she looks at him now is softer than that first day.

In the morning, Mila watches the strange man wake.

He blinks and rubs his bleary eyes, yawning, groaning at the sun’s brightness like a child. She hides her smile by bowing her head over the apple she’s cutting with her knife. The orchards span wide across the forest, and soon he’ll find two yellow-red apples beside his head.

His brows raise at them, then he looks up at Mila sitting with her legs crossed behind the small fire pit. The wood there is just ash and blackened remains now, but it still carries the smell of burning.

“Morning,” he greets.

She nods back at him and pretends not to watch when he sits up with a groan, stretching and bending his arms high behind his head. He removed his uniform jacket to sleep. It allows her to see every dip of male muscle that his plain white shirt clings to, even in the long sleeves.

Her gaze furtively runs over the broad shoulders, the tapered waist, then back up to his half-bearded face, defined by a strong jaw and dark brows. The sun catches on his brown hair and teases the ends of it golden.

She would never admit it, but he’s not unpleasant to look at. 

Last night, she declined his offer to travel with her until she reaches her tribe safely, but he was insistent. Again, strange.

So here she is, with him. Here they are. 

Dean turns to see the horses grazing nearby. Mato no longer has the saddle and bridle his men put on him. He looks rested and at ease. He even whinnies at Baby, tossing his head a little. She answers him and flicks her tail. They continue eating together.

Dean smiles, then grabs an apple. He raises it to her in thanks before he takes a large bite. Its juices run down the corner of his mouth, and he wipes at it with the back of his hand. Mila can’t help but be drawn to the sight.

She tears her eyes away when he looks over at her.

“We have a long way to go. Three days, if the weather is good,” she says, continuing to carve pieces of her apple to eat. “We will know we are close when we reach the river.”

Dean nods in understanding. With a grunt, he gets to his feet and takes another bite out of his breakfast. She doesn’t expect the way he approaches her with a hand outstretched. She looks up at it, then at his expectant face.

“Come on. Let’s hit the road then,” he says.

Mila considers his offer for another moment. He seems to be making this a habit. Amused, she wonders if this is just kindness, or if the women of his people aren’t allowed to stand without a man’s help.

She pockets her knife, swipes her braided hair over her shoulder, and slips her hand into his, allowing him to help her to her feet. When she gets there, he’s closer than he should be.

A breath gets trapped in her throat as she once again looks between his warm hand closed over her smaller one, and his face. In the small space between them, there is a different kind of tension than before. Mila can’t tell what the man is thinking when he looks at her like that, but she doesn’t like it.

And at the same time, she does.

She takes back her hand, and she goes to the horses. She firmly ignores how her heart gallops, even as she rubs at her chest like it’s an ache that can be soothed.

She doesn’t hear Dean’s unsteady breath, nor does she see the way his green eyes follow her.

AN: *rubs hands together* Well, here they are! It's all starting to come together. What did you think of Dean's decision?

Coming up next, we have the final part: some action, some fluff, and some potentially perilous situations for Mila and Dean...

Next Time:

“Yeah, about that…I’m thinking your tribe doesn’t take very well to outsiders,” he says. “White men in particular.”

Mila presses her lips together. He can tell she’s been thinking the same thing, but she turns to him with a determined set to her features.

“I will protect you,” she says.

Dean frowns. He doesn’t like the sound of that. On one hand, it warms him that she seems to really mean it. On the other hand, he doesn’t want to know what it’ll take for her to protect him.

“What’s that supposed to mean?” he asks.

She turns her face away and doesn’t seem to want to answer at first.

“Mila…”

“The Chief is my uncle,” she says at last. “He will listen to me.”

Dean blinks. Well, that changes things…maybe.

COMING 11/17! (New chapters every Sunday.)

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@emily-winchester @spnexploration @deans-spinster-witch @deans-baby-momma @iprobablyshipit91

@sanscas @sleepyqueerenergy @wayward-lost-and-never-found @kaleldobrev @spnwoman

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@fics-pics-andotherthings-i-like @waywardxwords @waynes-multiverse @twinkleinadiamondsky @ajjustice

@ades106 @my-stories-vault @cevansbaby-dove @kayleighwinchester @rizlowwritessortof

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@pizzagirlxnsfwx @justsom3onesworld @beskarfilms @lunaticgurly @artemys-ackles

@malindacath @mrsjenniferwinchester @jc-winchester @charmed-asylum @fromcaintodean

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@deanbrainrotwritings @urfav-tz @alwaystiredandconfused @torchbearerkyle @mrlonelycat

[kinardsevan]

I was totally genuine because I would love your stuff on 911 proper! They're dropping the ball with everything atm, which is so damn frustrating, considering the setup they gave themselves this spring.

Much love! 🤗

Glad for the clarification! ❤️❤️

I can totally understand your feelings. Mine aren’t far off. I waffle back and forth basically by the hour over whether this is all a tee-up and there’s real intention behind it, or whether they truly did give up the best thing that they’ve had in years.

One of my biggest struggles on it all and how it doesn’t make sense, is the active effort to include Tommy/Lou in the social media posts and ABCs use of him in ads as well. I understand that the networks opinion isn’t the end-all, be-all. But I just can’t coalesce all that’s been fed to us to this point, both from a story standpoint, and from the use of Lou/Tommy in the grander scheme at large. It doesn’t make any sense in the narrative, regardless of the ideals that some people have about him being a plot point or “entry level relationship”. One of the quotes I think back on is when Oliver said he wanted to see these two go through the struggles do in their first year of a relationship. That quote alone was one of the things (along with the intentional use of “Evan”) that said to me “people want this to be a short story, but these factors point to Tommy being around long-term”. It goes to the issue that Tommy does not see Evan as “Buck”, when we have already extrapolated that Buck is a mask. We’ve known that since season 3 when he told Bobby that putting on his uniform makes him feel like he can do anything, and “Buck” was a name he took on FOR work. It’s a dignification that creates separation for him from others. By relation, Evan can be as stripped bare and honest as he wants. This is why the use of his first name has always been important. Maddie can see him stripped down and bare, metaphorically speaking, because she knows his trauma. She’s his sister so she gets Evan rights. Eddie used his first name once with the will. In the same context as being stripped down, this was important because he wasn’t communicating with Buck from the standpoint of coworkers, but as a close friend telling him that he had made a decision about the safety and care of his child, should something happen to him. I can’t remember if we’ve ever seen Bobby use his first name, but this has always felt less important because of the father/son narrative.

We’ve seen Chimney throw around “Evan” in weird contexts, but I don’t think it’s a bad thing, so much as they have a unique relationship due to being coworkers, friends, and brothers simultaneously. I think that’s why anytime we hear him say “Evan”, it’s a bit of a play on fucking with him.

So when we cycle back to Tommy, who had only EVER called him Evan, using the name Buck is him forcing himself to create a separation. We also as a fanbase hear that and go “no, that’s wrong, it doesn’t sound right”.

At the end of the day, I cannot reason a fact to build all of this into a narrative (and I do mean ALL of it), include Lou in social media posts, have him be involved in interviews about the show… all to set it on fire 13 episodes after he returns. You’d have to have a damn good reason for doing so, like an actor wanting to leave or being so problematic that they need them gone. Now, a certain group would like for us to believe this, but we don’t have any actual proof of ANY of this narrative. That all said, we have to revert back to what we know and what we’ve been told. Which is confusing.

So. I’ve rambled again. And repeated myself in some contexts 😂 but I think I made my point? (If not I’ll obviously come up with more shit later 😂😂)

[smallishzine]

Just a small heads up, if you include shipping you may wanna make it clear that there are ships and what ships are there. A lot of people aren’t comfortable with shipping, especially since I’ve seen people say Joel thinks it’s a bit weird to be shipped with anyone other than Lizzie (needs to be fact checked, this is just what I’m seeing in boat boys comment sections). Maybe consider making the ship stuff a separate section or just telling people in advance (pinned post, bio, anywhere clear works) that it includes shipping so those who don’t like it can walk away.

important info about the zine plz read even if you didn’t send the ask:

thank you for the heads up! We’re about to get super rambly and vaguely off topic but we promise all your points get addressed. This is actually a great opportunity to clarify, because I realized I didn’t explain myself particularly clearly, if some one does choose to include shipping, its all going to have to be subtext (as always except for shadowbeans whose alternate ship name I still refuse to use), but that is for non-canon ships. Regardless of how people feel about it, c!Joel and c!Jimmy did in fact kiss in Real Life smp, and c!Joel and c!Sausage did in fact have a child together in esmp2, so we’re not gonna rewrite events. Basically when I say shipping in the context of this zine I mean taking relationships the c!Joel had with other people and creating moments that didn’t necessarily happen but feel plausible for the characters that are able to be interpreted as romantic as well as platonic. Also, everyone’s definition of ship art is different, so the level that I was thinking is pretty mild (and btw I’d like to interject here that this is not me dissing on shipping or ship art love shipping so much that I found a ship called the relation and I never left it, but I also know that people have all sorts of comfort levels with different things so this zine is going to be dry docked but I assure you that out there on my super secret personal blog we are very much lost at sea). Like, to give some examples of what would be okay versus not okay for the zine: kissing is pretty much off limits, honestly mostly because that’s a pretty boring zine piece, there’s nothing going on except the ship, but anything where any sort of romance is up to the interpretation, such as hugging, handholding, spending time with, these are all normal things, but also this can’t be the focus of the piece. Please no one just draw like Joel and someone hugging and call it a day. Implied shipping is allowed to feature in your piece, not be the main focus of it. That’s just not an interesting zine piece. Valid art/writing, still amazing stuff keep sharing it on the internet it’s very interesting, just not in the context of this zine. Anyway, you are correct about not everyone being comfortable with that stuff, so if any piece comes off as really shippy without violating the guidelines we’ll make sure to label it correctly, but also, I should make it clear, I’m really hoping that shipping doesn’t become the focus of this zine. It is a Joel zine, so Joel should remain the focus, and any shipping would be subtextual and not central to the zine. There are many great Joel ships out there with lovely content to consume, but that’s not really the focus of this zine. Also, that aside, if Joel doesn’t want his character (because we are talking about shipping cs here. Cc!Joel is a lovely person, but this zine is going to be in-character. Also while cc!Joel should absolutely be respected in what sort of fan content he wants people making about him, his character is, well, just that: a character. Its like saying you can’t ship two characters from an animated tv show because their irl voice actors aren’t comfortable being shipped. It’s just two different things) shipped with characters who don’t belong to his wife, he should probably stop making his c! kiss all those men. And have children with them. And send them love hearts in the mail. And call them babe. If he did it in canon it’s probably safe to say we’re good having them do it in fan content. But again shipping should be an extremely small part of the zine if it’s there at all and should be subtextual enough that even people who don’t ship can still positively engage with the zine!!! If it needs a warning, it’s probably too shippy.

also all this aside if I’m handling this wrong guys I’m sorry I’m only one person and it’s really stressful trying to please everybody I promise I’m trying my best but I just wanna get together with a bunch of other people who share this strange fascination with the bean man and make art and writing about it I don’t wanna get canceled or something I promise I’m trying my best. I’m really struggling to balance my love of creating shipping fan content and realizing that not everyone is comfortable with that and it’s really difficult and stressful I just can’t we all just draw and write what makes us happy I just want this to be a fun experience and being yelled at on the internet for drawing two characters who’s ccs aren’t in an irl relationship being something other than friends is not my definition of a good time. I’m not accusing you anon of doing anything like that the ask was very respectful but I’m worried this post will prompt less polite people to come and yell at me.

-mod Dinn

[welcometogrouchland]

I miss them so bad (Dick and Damian)

[stitchwraith-stingers]

HELLO! (points directly at url)

the stitchwraith is made by phineas taggart - a guy who wasnt incapable of feeling emotions (or something equivalent to that) and he loves to expiriment with agony, so he got acouple of items - including an ella doll, if youve read 1:35 am you mightve recognised him as a little cameo (he speaks to plants, and even called the creation of the stitch his own tin man, hes funny, i think tumblr wouldve loved him) and dies the moment the stitchwraith comes alive

the stitchwraith is compromised of two spirits: jake and andrew

jake was a 9 year old boy who had cancer and is the protagonist in the 6th books 2nd story the real jake, its important to note that his father, while away at war iirc, had a small doll that would speak to jake every night, hidden behind a closet, and jake would tell the doll what 'he did that day' (what he wouldve wished he wouldve done) and his caretaker, margie, would come in every night and draw on a thing related to it - if he said that he got into a baseball game then she would draw on a black eye on him, a missing tooth, red around the mouth to signalise the pizza he said he ate that day, as a surprise for him when he won the battle, unfortunatly both jakes father (whos named evan, funnily enough, he has an uncle named micheal too) and jake passed away, leaving margie with the home, which on a unrelated note became infested w cats lol, phineas had used the dolls head (which, inspite of it being implied that jake possessed the doll and ran away, i have zero clue how phineas got his hands on it)

andrew is the, i guess 'antagonist' of the man in room 1280, where hes been keeping william alive for a good while now and keeps confusing four nurses to the point of them calling a priest, he wears an alligator mask i think thats cool, and because of how much agony he has in him and how bitter he has at william (vaild) he is the reason why phineas had died by his touch, he has such a strong sense of emotion it just. kinda goes into everything, if youre wondering how his spirit got into the stitchwaith andrews spirit was also in fetch's battery, i dont know the story about that either ur guess is as good as mine

andrew and jake, together in this stitchwraith body, would collect the rest of what andrew had 'infected', which i only remember foxy from come closer being mentioned

andrew dissapears in the 6th epilouge iirc, long story short william in a massive trash pile monster form (yes he still has those goofy rabbit ears mentioned) had appeared and the two struggling not to kill our other protagonist - detective larson - had plunged themselves into it, andrews spirit is dragged away from williams, leaving jake alone in this vessiel

jake discovers, via accidently touching a homeless man, that he can go into others memories and make them plesant, so the death touch is gone for good, also by skipping towards the end he kinda becomes like, a guardian angel for the ballpit? with the memories of eleanors victims (also not relevant to the conversation dont worry about it) being in there, when he makes millies last memories her spending happily with her family, a single ball had started to glow, and the rest of them slowly did as well

i liked jake, i think hes a sweet protagonist, i thought andrew was interesting too but thats just me being tumblr user stitchwraith-stingers to each their own lol

if anything i wouldnt really exactly say that the stitchwraith is a villain, yeah andrew going "LETS KILL HIM" to some guy in his 40s is bad, but its more or less of a "dont judge a book by its cover" shtick (ESPECIALLY considering the whole renelle plotline), they arent finding trouble they just happened to be able to do that

TLDR: two ghost jokes in one expiriment body, one of them is pissed enough to kill people by touching them and after his spirit gets dragged away the other one can visit peoples memories and kinda maybe sorta becomes a guardian angel, dont worry about it

i fuckign HATE the latter half of fnaf lore so fucking much. i dont care about the mimic. i dont care about the stitchwraith. i dont care about the glitchtrap virus. i dont care about remnant. i CARE about haunted animatronics. can we please go back to haunted animatronics???? with the ghosts and the dead people and etc?? not whatever sci-fi bullshit is going on nowadays??

.

[spacedlexi]

it honestly frustrates me when i see people reduce the ericsons cast down to "just some teens in the woods" acting like theyre no different than any other group of lone teenagers from other existing properties and treating them like an overused trope

it is sooo important to acknowledge the "troubled youth" aspect of the whole equation. theyre not just some random teens in the woods clem stumbles across. these kids were abandoned by their families for their various "difficulties" and fucked up by The System before the outbreak even began. and then once zombies started roaming the streets their familes never came back for them and the adults that were in charge of taking care of them just left them there to rot in that old boarding school (except for ms martin who was like their lee 🥺 the only person who ever saw them as the scared traumatized kids they were and died protecting them)

the whole aspect of them already being fucked up by the adults that controlled their lives is like.....kind of important when discussing the whole "delta is stealing kids to force them to fight in a war they have no real part in and want nothing to do with" aspect of the season. and its important when comparing them to clem and her journey of also suffering at the hands of the adults around her forcing her to become self reliant. AND its important when discussing the "just trying to build a safe home (and future) worth fighting for in this world that wants them dead" aspect of the season as well

these kids were forced to come together to survive. and a Lot of them didnt... theyre the only family they have left and you can tell that even when they argue with each other theyre still a close knit group who looks out for each other. theyre a Real family before clem even gets there (and its why what really happened with the twins and brody and marlon hits them all so especially hard)

all of this is what REALLY makes ericsons such a perfect home for clem. its a Real community of her True peers. theyre not Just teens. they mightve had a layer of safety clem never had by at least having walls to keep them safe. and having the benefit of the school being hard to find. its the only reason theyre still alive when clem shows up. but theyre also some of the only people who can Truly understand where clem and aj are coming from. and its why it hurts so much when they vote to kick them out. but its also partially why she merges back into the fold so easily when she returns. plus the fact that shes Really the only one who has any idea what shes doing. shes their rock and she makes them feel safe because underneath it all theyre still just those scared traumatized kids ("EVERYONE is scared, clem..." vi was Definitely including herself in that 'everyone'), and on some level, so is clem

they saved clementines life. and she saved theirs. "the school was supposed to help them with their trauma, now they help each other" its about the LOVE the COMMUNITY the SUPPORT!!!! and thats the shit that makes good zombie media honestly 👌

[fogwitchoftheevermore]

every once in a while i remember that scott’s life series+empires characters being aro is not actually a hc that has occurred to most people and it really does throw me for a loop. there are very few characters where my personal hcs about their queerness so heavily affect how i analyze them but scott being aro really is a massive contributor to how i see his character and i see takes about him i agree w/ relatively frequently so i. forgot. this is at least partially because i have curated my dash well and rarely go into the tags but that is not the point.

[violetwolfraven]

God I hate Pinterest and I really need to stop reading the comments on literally any post on there

I just saw someone straight up say they’re afraid that show fans who haven’t read the books are going to take over and dominate the fandom and they’re afraid that their memories of the books are going to get overridden by memories of the show because of new show fans, and that’s a good reason to gatekeep.

Like okay, just say you’re a party pooper and go home.

Yeah this is about Percy Jackson but I’m not gonna tag it as that cause I don’t wanna get hunted for sport

[foxmulderautism]

my beautiful autistic mind is so picky and annoying sometimes because my biggest struggle with writing at the moment is the fact i dont like how the name bobby looks written out but i like how it sounds and also know that is his name it literally cannot be anything else. but every time i look at the letters i'm like.......

[always-on-fire-for-sara]

Um, well I was really heartbroken when I first heard it. I mean, I wasn’t in the acute stage of heartbreak, I was in the stage where you feel like you’re never going to get over someone and all your friends are like, ‘Please don’t talk about her anymore.’ They were like, ‘Get over it!’, but I couldn’t because there was no other face I wanted to look at more. So yeah, I was in a very preoccupied but functional stage of a breakup – and I don’t even know if it was really a breakup – and I honestly felt sleepless. Like I was trying to sleep with a broken heart and I just couldn’t. It was devastating to me that I just couldn’t get over this woman, and just being in that isolating period when the time of people being empathetic is over and nobody wants to hear about it anymore.

Sara Quin about her memories associated with “Try Sleeping With a Broken Heart” by Alicia Keys (x)